Back as promised! Today I’m rounding up my favorite remixes of Wagon Cookin’s flaming hot “No Bossy Girl” that were entered for the Om Records x Juno Download remix competition . Without further ado, here are my top choices:
Putting the best up front. This first remix comes courtesy of Swiss producer (and Pole Position Recordings stalwort) Matt Prehn. Great quirky house vibes here.
This next one is certainly a curveball, but one that I enjoyed through and through! UK Bass twist for No Bossy Girl from Umami out of Leeds UK.
Final fave for today is a deep house entry from SoundWhorez. Darker vibes from this mysterious UK artist group makes for assured dance-floor fun, especially in the dead of winter!
On Monday I will return with my top picks from the remix entries for Miguel Migs feat. Evelyn Champagne King – Everybody. Don’t forget that the winners will be announced a week from today!
- hungry intern
Posted by: Intern #1 on February 3, 2012 @ 11:25 AM
Posted in: Contests
Hey all, Charlie the Marketing Assistant here. In anticipation of Body Language’s selection for the ‘Falling Out’ Om Records x Juno Download remix competition , I’ve compiled a couple of the entries that I enjoy. There’s no telling whether any of these remixes will be chosen as the winner by Body Language themselves, but I feel like these couple have a fighting chance! So here we go:
First up we have an entry from Brazilian producer Dake. The plucked bassline and rolling hi-hats make this a disco dancefloor killer, good stuff Dake!
Next is the “deep’n’curly” rework from Denmark’s Pete Oak. Solid deep house re-imagination of Falling Out, super sunny vibes.
Last choice of mine comes from Orbz (Daniel Horner) out of Chester, UK. Techy remix, well produced and big party potential! Big ups Daniel, enjoying your tune.
That’s all for now folks, stay tuned as tomorrow I’ll post my favorites from the Wagon Cookin’ contest. Early next week I’ll bring you the best of the Miguel Migs and J-Boogie remix entries, and by next Friday the official winner of the Om Records x Juno Download competition will be announced!
- hungry intern
Posted by: Intern #1 on February 2, 2012 @ 1:27 PM
Posted in: Contests
DJ Theory & jBoogie drop a double sided remix joint for the Moombah and hip hop heads! “Jazzy Belle” is Theory’s deep & sexy remix of your favorite classic Outkast joint. “Motto Moombah” is J Boogie’s Latin hand clapping remix of Drake’s hit with Los Rakas, E-40 & Ladybug Mecca adding the extra vocal treatment. Included in the .ZIP are DUB versions for both and full artwork.
The fall of the Berlin Wall marked its 20-year anniversary about a week ago. A year after the fall, Andre Lodemann, born in a small city in the GDR, picked up his first set of turntables.
Over the past nineteen years Lodemann has made a big name for himself in the Berlin music scene. This Om Podcast features some of his excellence, and given the context of Lodemann’s history, it’s really damn unique. If you’re pressed for time, listen to the first eight minutes of this minimally dark, sonically emotional awesomeness!
If you’re into those adjectives, then you’ll probably want to listen to the whole thing.
Adelaide Parklife, Australia – October 2009. During an Aeroplane DJ set, this all-star electronic cast jumped on the drums and shakers and jammed out to James Curd’s“We Just Wont Stop”. Check it out by clicking the image.
James Curd just came out with the already popular The Wills & The Wonts (Treasure Fingers Remix) E.P. I’m feeling a little under the weather, and these disco-pop, electro-fied tracks are putting a smile on my face. If you want to brighten the day up, then I suggest you scroll right down there and listen to Curd’s remix of Amplive’s “Gary is a Robot”!
This remix is also available for sale right HERE. To find the latest updates on James Curd visit his newsletter or myspace page.
Funky, spacey, minimal, and continuous; this SPIRITCATCHER mix is perfect for a Friday night chill out session. SO pour yourself a glass of wine, maybe a few glasses, get on the couch, if you have a couch, and just CHILLOUT. Let those subtle elements come together, build, and fall apart over and over again, until you feel good. The only thing is… if you’re trying to keep yourself inside for the night, best avoid the last seven minutes, because it will surely inspire you to go out and live it up.
SPIRITCATCHER is pretty notorious for insane sets (check their myspace) where they do a lot of live, musical processing. This mix, entitled “Missing Danger”, definitely captures a lot of their unique space flashes and funky undertones, but it’s a lot more relaxed than in your face, which is often times a good thing. Thanks for the mix SPIRITCATCHER!
So I’m taking this music class at U.C. Berkeley entitled AfroFuturism. We study the reoccurring themes of space, technology, and the future in African American music. We’ve looked at several artists who incorporate such ideas, everyone from Sun Ra to Earth Wind and Fire to Kanye West.
AmpLive (DJ half of Zion I) has so many of the themes we’ve talked about in class. Robots, space ships, and technology are all present in this tune Gary is a Robot. This is not the first time Amplive has brought space up; Zion I’s debut E.P. was called Starship!
One last note on philosophical content. The track starts off with a british voice saying “auto-tune activated”, which I think is great. Many people caste auto-tune off as an excuse for poor vocal qualities. I think there is much more forethought that goes into using auto-tune (not all the time); there’s a deep history with using vocal changing technologies in African American music like the talk box and vocoder( I know kraftwerk are white Germans), and I think Amplive is saying something when he decided to use such technologies. What he’s getting at I’ll leave to you.
Okay, besides the philosophical content (which I think everyone should delve into), Gary is a Robot is ridiculously catchy and well produced. All the synths and drums chosen are perfect, and despite some of the darkness in the vocals, i’’s a real upper track. I will definitely be running to this and/or forcing it into whatever car happens to be taking me across the bride tonight.
There are also some awesome remixes that you can pick up at turntablelab.com. Trust me, this is a fine addition to your collection, and perfect to drop at your halloween party.
The remix single features remix work from James Curd, Grand Theft Auto, Al Velilla, and one of my favorites is the Blu Jemz.
Purchase Amp Live Feat. Trackademicks “Gary Is A Robot (The Remixes)” At Turntablelab.com
Listen To Amp Live Feat. Trackademicks “Gary is A Robot (Al Velilla Remix)”
Posted by: Intern #1 on October 26, 2009 @ 1:39 PM
Posted in: Music
Just in case you havn’t heard, there’s nothing like it. Nothing! In my opinion VonStroke’s new album “Bird Brain” further cements his position as a one of a kind in a genre filled copiously with similar acts. His ingenuity for composition really shines in tracks Vocal Chords and Jasper’s Baby Robot; his awesome weirdness emanates fully in Beat that Bird and Monster House—going on my Halloween mix.
If you’re pressed for time visit DirtyBird Records and sample Vocal Chords and Beat that Bird. I think these two tracks are really interesting. Vocal Chords is an earthy, ambient track with unique synth-voice sounds that work perfectly for a drive through Big Sur, an at home yoga sesh, or a late night contemplation on whether you’re a cyborg. Beat that Bird shows VonStroke’s uncanny, unique ability to drop FAT four-on-the-floor bass kicks with sparse textures you’ve never heard before; I can only imagine how this tune would ring at Mighty.
All in all, it’s a work that really shows Claude VonStroke’s ever-evolving character. Again, you can hear pretty long snippets of Bird Brain here and make your own call, but I’m pretty sure you’ll be pleased!
This is not the first time we’ve written about Will Saul. He and Mike Monday teamed up for one of the best remixes of Juan Maclean’s “Happy House”. “Balance” is the perfect name for Will Saul’s new mix CD. This ambitious work jumps all over the spectrum of electronic-related music. It dips into the disco-house, swings by indie-synthpop awesomeness, and falls into the depths of dub-house. Some of the big artists remixed in the three CD collection include Hercules and Love Affair, Bats for Lashes, Modeselektor Feat. Thom Yorke of Radiohead, Sly & Robbie, Sally Shapiro, Liquid People, Daniel Wang, Wolf + Lamb, Carl Craig, DJ T, Dixon, Burial, and Morgan Geist (of Metro Area) (Click Here For Full Tracklisting). This thing is a dense mix of texture and style, but it maintains a sort of balance that is Will Saul’s execution and futuristic-house style.
Forgive my corny metaphor, but I really feel like Saul is flying me through this mysterious cluster of electronic weather patterns. As I listen to it via headphones, I cannot help feeling like I’m on a plane about to go Buenos Aires; I’m just going to start over. You know? This feeling only augments as I hear actual planes taking off in the last track. It’s a Liquid People’s “Sons of Dragons remix”. Now that I think about it, this is a great CD for a three-hour flight. It balances perfectly dance-ability, ambiance, emotion, and tension/resolution. The only downside about the airplane setting would be the inability of moving around, but you know, dancing in your mind can be equally rewarding.
Despite what I got out of it, I think anyone could appreciate one or more elements in this album. There is so much to choose from: awesome polyrhythms, big bass swells, elusive staccato-tones, pad textures that whiz by you and crash into syncopated chords. The adhesive that binds all these tracks together is Saul’s futuristic-house, almost vinyl-vintage sound, which makes it very pleasant. There is nothing directly abrasive; however, tension does build (subtly) and darkness does descend, but this is always resolved with an interesting swing out.
Some adjectives/tags/ideas: utopia, futuristic house, eclecticism, indie, synth-pop, dub, house, techno, yoga, the future, travel, running, planes, your dream city.
I highly recommend you pick up Saul’s October release Balance 015.
Click Here To Purchase Balance 015 Mixed By Will Saul From Amazon.com
Click Here To Check Out The Full Tracklisting & Listen To The Mix
What up internet, the name’s intern #1 and I’m here to bring you recaps of the Bay Area’s finest events. Last night I had the pleasure of seeing RJD2 spin some of his favorite tracks at Vessel’s hipster frenzied Infatuation.
The eclectic set, which ranged from atmospheric hip hop to funky, 80’s pop brought an equally eclectic audience, and everyone from the diehards in front to the curious onlookers in the back seemed to be having a good old time.
Not to mention Infatuation’s 2 for 1, well-poured drinks. A lot of fine drinking glasses lost their life last night due to the slippery conditions on the dance floor. The place was packed and the floor was glassy.
Vessel’s DJ booth didn’t have enough room for RJD2’s gear, and thus we got a more mashed up, Serato-scratch live set. I think that RJD2 is best served on 3 or 4 turntables, but I still had a really good time last night, and I’m glad I witnessed the man throw down his favorite tunes.
Also, a shout out to DJ Centipede who really rocked it. He pumped the audience up with a subtle remix of RJD2’s “The Horror”, the first track off the 2002 critically acclaimed album Deadringer. Look out for this guy.
In full recap, I think the night gets a 2.5 out of 4. Had RJD2 brought his own decks, the number would be higher.
I’m intern #1 and I’ll be reviewing indie/electro/dance shows in the up and coming months. Next time I hope to bring you pictures. If you have any photos of this show or those in the future, send them to internnumbaone@gmail.com, and I’ll put them up. You Heard It First: Here’s an insider’s note, RJD2 will be dropping a remix of Bassnectar on Om’s Childs Play imprint. Joining him on remix duties for Bassnectar will be DJ Vadim, Nosaj Thing, Robot Koch, Amp Live, and Mexicans With Guns. Should be dropping very very soon.
Posted by: Intern #1 on October 15, 2009 @ 11:18 AM
Posted in: Events
